Alan John "Jock" Marshall was a different, sometimes difficult, academic. He was unlikely to be found in any ivory
tower; had he been trapped in one he would probably have been
declaiming from the highest turret. His life was in some ways
a metaphor for the great Australian egalitarian dream - the dream
that anyone can do anything, be anything they like, if they tune
their mind, canalise their interest and energy towards that ambition,
no matter what odds are called in their life. Coming back from
the Arctic in 1937 he wrote to an old friend "I've come to
believe that you can do pretty near anything in this
world with a moderate amount of brain, gut & personality -
& Christ knows I've tried to develop all three." For
Jock, succeeding was almost easier when the odds were against
him.
He was possibly indulged as a little boy. He didn't really think
he was, his mother admitted he might have been, and his sister
was spittingly sure he was. He was the dreaded enfant terrible
of every schoolmaster from primary school onward, delighting
in upsetting the slow, boring process of force-feeding information.
His nimble mind was somewhere else, busy with schemes, seeking
challenges; always reading what was not on the syllabus. He
became a Professor of Zoology, but he completely avoided the
exams leading to matriculation. Added to his overwhelming academic
laziness at school, he carelessly (and it was carelessly)
shot off his left arm at the age of 15. This event, however,
was the catalyst for changes of enormous significance for the
rest of his life.
His nickname "Jock" was nothing to do with Scottish
nostalgia. It was born out of his earliest ambition to become
a jockey and ride race-horses, like the ones trained by some of
his mother's family. He was hardly ever called anything else,
although he soon became much too tall for racehorses.
Adventure was a central theme in his life. Everything he did was
touched by it. And not just in a physical sense. Certainly his
interest in physical exploration of the world never left him;
if he had been born even a century earlier he would undoubtedly
have been pushing into empty spaces on the map; but to him the
intellectual challenges of science were also an adventure - 'Well-designed
research is an art' - and there was also an element of adventure
in stirring up trouble for laissez faire schemes - whether
academic, political or social - though it would be quite untrue
to suggest this was the primary motive.
He was quintessentially Australian. Yet nearly 20 of his 56 years
were spent in other parts of the world. No chameleon, his national
identity was obvious and uncompromising, but he valued high standards
of scholarship and the best of traditions that he found elsewhere
- notably in England. He had a classless attitude to the intricacies
of such a class-dominated society. He cut through the layers
and remained himself - outspoken, original, funny - with aristocrats,
Nobel Prize winners or purveyors of jellied eels. For much of
his life he had an ambivalent feeling towards his homeland. He
inveighed against the stupid waste of brains and talent engendered
by stifling political and bureaucratic decisions there. But he
loved the spirit that often broke out of this with spontaneous
and irreverent initiative; possibly seen at its best in the fighting
forces during wars. He had an unequalled excuse for taking no
part in World War 11 but spent an inordinate amount of time and
persistence against the odds, and against his own professional
ambition, eventually getting into the A.I.F. 'in order to be
of some use to my country'.
He was passionate, self-confident and sometimes very aggressive;
yet there was tenderness and compassion, even a relic of shyness;
on another level discipline and no glimmer of compromise when
a cause or a principle was involved. He had a vital social conscience,
and it was no accident that the brilliant, restless genius of
social commentary, Francisco Jose de Goya, was just about his
favourite painter. Iconoclast, traditionalist, joker, very serious
scientist: it would be difficult to write a full biography of
this complex man without his detailed early diaries. Many of
the key companions and mentors of his youth are now dead (although
wishing for a record I did speak with several of them not long
after he died). Early notes on the observation of birds in 1927
led on through tropical and Arctic scientific expeditions, Universities
of Sydney, Oxford and London, journalism, four years of war, England
pre-war and post-war, Australia and New Guinea in between, Africa
and searching for Mau Mau as well as scientific specimens, affairs
with women and two marriages. He didn't begin writing seriously
until after his arm was shot off. He didn't write about that.
But once he started he never stopped. Indeed it was his early
ambition to be a writer which caused him to take ornithological
field notes into much fuller diaries. They reveal his feelings,
not constantly, often obliquely, but they map a full-on life that
fascinated himself, intrigued and sometimes infuriated other people
and was motivated to make marks; which he did in probably no
other place more than Monash University in Victoria - during the
exciting, fulfilling and frustrating birth of a university. They
led me through the early landscape of familiar fascinating stories
but where I would have been lost for detail; so they are well-used
and unless otherwise marked quotations are from them.
Being a wife? - many people may feel this denies objectivity.
But objectivity does not seem any more applicable to biography
than to most other human activities. Every life is at the mercy
of prejudice and choice once it leaves the cardboard boxes. Nevertheless
Jock's seemed to be bursting out. On a practical level I learnt
a lot about the academic jungle in nineteen years and did all
Jock's illustrations for scientific papers. His work was dedicated
to wedding the life of an animal in the environment with problem
solving in the laboratory, and to saving species which have so
far escaped the mindlessly destructive instincts of humans. It
is easy to see him as the amusing, roaming man of science and
action, filled with combative phrases for the preservation of
standards or the environment, but more difficult to see the man
of compassion, tenderness and acute aesthetic awareness. The
two were often at odds in his life.
Like several other people, I thought at first that such a biography should be written by an academic - not necessarily a scientist, but someone with academic training. I approached two good friends - good writers - in this area. One was unhappy with his lack of scientific knowledge, the other died before anything came of it. I left the bulging boxes of papers for some more years. Then in 1987 Gavan McCarthy contacted me. He was working for the Australian Science Archives Project which was 'established to locate, sort, index and catalogue the archival papers of distinguished Australian scientists and scientific institutions'. Bringing order out of the chaos of papers - letters, diaries, manuscripts, scripts for broadcasts, etc. - Gavan was displaying so much enjoyment and amusement, it confirmed me in my belief that this life should not remain locked away in cardboard boxes. His work gave enormous impetus to my resolve, and he has been generously helpful ever since.